Saturday, June 14, 2014

Equinoctiial Honey Sonnet


Hold ceremony in the everyday
Suspend in equinoctial honey


Drink your potion with intention—
a poem can be descriptive medicine


you concoct for yourself
and others in ever-widening spirals


Seen and unseen, couplets
circle into DNA ladders


Eat Something Wild Every Day
and You Will become Wild


Wild on the horizon, circular, the plants
sing their songs of glee all round


So let us sing—equally in night and day to hold
mountains, time, balance deeper into the year 

LEE ANN BROWN

Friday, June 13, 2014

Sunday, June 1, 2014

Application For A Driving License - Michael Ondaatje

Two birds loved
in a flurry of red feathers
like a burst cottonball,
continuing while I drove over them.
I am a good driver, nothing shocks me.
MICHAEL ONDAATJE

Friday, May 30, 2014

RIP Maya Angelou

MEN
When I was young, I used to
Watch behind the curtains
As men walked up and down the street. Wino men, old men.
Young men sharp as mustard.
See them. Men are always
Going somewhere.
They knew I was there. Fifteen
Years old and starving for them.
Under my window, they would pause,
Their shoulders high like the
Breasts of a young girl,
Jacket tails slapping over
Those behinds,
Men.

One day they hold you in the
Palms of their hands, gentle, as if you
Were the last raw egg in the world. Then
They tighten up. Just a little. The
First squeeze is nice. A quick hug.
Soft into your defenselessness. A little
More. The hurt begins. Wrench out a
Smile that slides around the fear. When the
Air disappears,
Your mind pops, exploding fiercely, briefly,
Like the head of a kitchen match. Shattered.
It is your juice
That runs down their legs. Staining their shoes.
When the earth rights itself again,
And taste tries to return to the tongue,
Your body has slammed shut. Forever.
No keys exist.

Then the window draws full upon
Your mind. There, just beyond
The sway of curtains, men walk.
Knowing something.
Going someplace.
But this time, I will simply
Stand and watch.

Maybe. 


Sunday, May 25, 2014

Theodore Roethke

The Dance

Is that dance slowing in the mind of man
That made him think the universe could hum?
The great wheel turns its axle when it can;
I need a place to sing, and dancing-room,
And I have made a promise to my ears
I'll sing and whistle romping with the bears.

For they are all my friends: I saw one slide
Down a steep hillside on a cake of ice, —
Or was that in a book? I think with pride:
A caged bear rarely does the same thing twice
In the same way: O watch his body sway! mdash;
This animal remembering to be gay.

I tried to fling my shadow at the moon,
The while my blood leaped with a wordless song.
Though dancing needs a master, I had none
To teach my toes to listen to my tongue.
But what I learned there, dancing all alone,
Was not the joyless motion of a stone.

I take this cadence from a man named Yeats;
I take it, and I give it back again:
For other tunes and other wanton beats
Have tossed my heart and fiddled through my brain.
Yes, I was dancing-mad, and how
That came to be the bears and Yeats would know.

Theodore Roethke

Saturday, May 24, 2014

Czelaw Milosz

In The Middle Of Life (translation: Czeslaw Milosz)

After the end of the world
after my death
I found myself in the middle of life
I created myself
constructed life
people animals landscapes

this is a table I was saying
this is a table
on the table are lying bread a knife
the knife serves to cut the bread

people nourish themselves with bread
one should love man
I was learning by night and day
what one should love
I answered man

this is a window I was saying
this is a window
beyond the window is a garden
in the garden I see an apple tree
the apple tree blossoms
the blossoms fall off
the fruits take form
they ripen my father is picking up an apple
that man who is picking up an apple
is my father
I was sitting on the threshold of the house

that old woman who
is pulling a goat on a rope
is more necessary
and more precious
than the seven wonders of the world
whoever thinks and feels
that she is not necessary
he is guilty of genocide

this is a man
this is a tree this is bread

people nourish themselves in order to live
I was repeating to myself
human life is important
human life has great importance
the value of life
surpasses the value of all the objects
which man has made
man is a great treasure
I was repeating stubbornly

this water I was saying
I was stroking the waves with my hand
and conversing with the river
water I said
good water
this is I

the man talked to the water
talked to the moon
to the flowers to the rain
he talked to the earth
to the birds
to the sky
the sky was silent
the earth was silent
if he heard a voice
which flowed
from the earth from the water from the sky
it was the voice of another man

Sunday, May 18, 2014

How Blue

The world is blue -
depressed valleys
surrounded by
rings of hills
the sky
wind and weather
the shiver of little leaves
over a tepid brook.

All lies 
as he leaned in for the kiss
all lies and eyes

she thought -
How blue.

-Debbie Calverley

Sunday, May 11, 2014

Sting


Phantom Limb

Pain where I stepped on a pine 
cone

Pang from a 10 year old 
scar

Sometimes I think my left arm is
gone

Until I realize I'm still
attached

-Debbie Calverley

Saturday, May 10, 2014

Poem by Spencer Reece

At Thomas Merton's Grave

We can never be with loss too long.
Behind the warped door that sticks,
the wood thrush calls to the monks,
pausing atop the stone crucifix,
singing: "I am marvelous alone!"
Thrash, thrash goes the hayfield:
rows of marrow and bone undone.
The horizon's flashing fastens tight,
sealing the blue hills with vermilion.
Moss dyes a squirrel's skull green.
The cemetery expands its borders—
little milky crosses grow like teeth.
How kind time is, altering space
so nothing stays wrong: and light,
more new light, always arrives.


SPENCER REECE


Poem by Martha Silano

The Poet Is the Priest of the Invisible
                        —Wallace Stevens

Dark-eyed, mysterious Meadowhawk,
the poet is the rabbi of the diaphanous,


scribe of the sheer, the barely-there
brief, pungi of the five o'clock shadow,


hint of rosewood and ghost. The poet
preaches a thin-barked willow sermon;


what she labors over is always prone
to sunscald, to scrutiny, its veins


visible through the skin. Gossamer
goddess, translucent muse, she lofts


a gauzy lug wrench toward the shadowy
freeway, where the alphabet—each of its


limpid clauses, each hyaline verb—
has once again broken down, needs a lift.


MARTHA SILANO

Sunday, May 4, 2014

Quote

Sometimes you can spend too long on a one sided love.

Downton Abby